马丁·韦默尔
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基本信息
- 擅长
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艺术家
- 性别
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男
- 出生年月
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1966年月
个人简历
1966 生于德国哈丁根，布廉奇斯坦
1996 获得德国Volks& Raiffeisen银行艺术奖
2003 完成英国爱丁堡巴赛尔国际交流和工作室计划主办的艺术驻场
2008 完成中国北京巴赛尔国际交流和工作室计划主办的艺术驻场
2009 成为798北京双年展策划人，同时任中国北京中央美术学院讲师
2010/11任中德美术学院(CDK)讲师
2012 任中国天津艺术学院讲座
展览
2018 马丁.韦默尔—星空的背后李安姿当代空间，香港
2018 马丁.韦默尔---“Qi”艺门画廊，北京
2016 马丁.韦默尔个展—画=盒狮语画廊，上海
2016 这些年，我们做过的展览余山当代艺术方中心，上海
2015 马丁.韦默尔个展狮语画廊，上海
2015 盒子里有只吃彩色裤子的羊—马丁.韦默尔李安姿当代空间，香港
2012
Idols，天津艺术学院博物馆，天津
Idols，EGG画廊，北京
Idols，德国科隆克努特
2010
孙悟空，迈克尔?舒尔茨画廊，韩国首尔
孙悟空，KnutOsper画廊，德国科隆
2008 海滩归来，Daeppen美术馆，瑞士巴塞尔
主要联展
2014
新年联展，EGG画廊，北京
密码，中国上海
2012 北京双年展，中国美术馆，北京
2011 白色的眼，北京
2010 国际艺术家联展，北京
2009
Monumental in Time，北京
ANNEXE/INFIX| 798北京双年展，北京
SaxoniaFoxtrott, 德国德累斯顿博物馆，德国德累斯顿
2008
International Inkism, 上上国际美术馆，北京
ArtShape, 桥艺术博物馆，北京
CriticalMass, 北京
1966 bornin Hattingen, Germany
1996 Deutscher Kunstpreis der Volks- und Raiffeisenbanken
2003 Stipendiumiaab, International Exchange Basel in Edinburgh
2008 Stipendiumiaab, International Exchange Basel in Beijing, China
2009 Curator Biennale 798 Beijing, China
Lectureship at the Central Academy of Fine ArtsBeijing, China
2010 /11Lectureship,UdK Berlin , at the CDK Hangzhou, China
2012 Lecture Art Academy Tianjin, China
Exhibition
2018 THE BACK OF STARRY SKY,CONTEMPORARY BY ANGELA LI,HONG KONG,China
2018 “ Qi”Pekin finearts,Beijing,China
2016 Martin Wehmer solo exhibition-- PAINTING = BOX, Leo Gallery,Shanghai , China
2015 Martin Wehmer soloexhibition, Leo Gallery, Shanghai , China
2014
“Martin Wehmer“,Contemporary by Angela Li Contemporary, Hong Kong, China women| being 3art Gallery, Beijing,China
2012
Idols | Museum art academy,Tianjin, China
Idols | EGG art Gallery,Beijing, China
Idols | Projektraum KnutOsper, K?ln
2010
Sun wu kong | MichaelSchultz Gallery, Seoul, Korea
Sun wu kong |ProjektraumKnut Osper, K?ln
2008
Back from BEACH |Gallery Daeppen, Basel 0figur | Morat-Institutfür Kunst und Kunstwissenschaft,Freiburg
Selected Group Exhibitions
2014
New Year, Beijing, China
Code,Shanghai, China
2012
Beijing International Art Biennale, National Art museum of China, Beijing, China
2011 The White of the Eye, Beijing, China
2010 BLACK BRIDGE OFF SPACE, Beijing,China
2009
Monumentalin Time, Beijing, China ANNEXE/INFIX,Biennale 798 Beijing, Beijing,China
Saxonia Foxtrott, Kunsthalle Dresden,Germany
2008
International Inkism, Sunshine International Museum,Beijing,China
Art Shape, Bridge Art Museum,Beijing,China
Critical Mass, Beijing,China
马丁.韦默尔将现代绘画历史上明显对立的趣味相互桥接，早期现代主义绘画在19世纪中期至末期发展过程中的一个核心动机是以更加直接的方式回应即时的周遭环境和刻画当下的社会现实。此后，在20世纪初期，当抽象主义开始出现，被表现之物逐渐消失，二维画布的平面感自我指涉地得到公认，并被看待为一个首要的问题。抽象表现主义以及相关的奥普艺术(Op Art)和色场绘画运动(Colour Field Painting), 则以在場作品直接的物质性激起与观者之间的感受性，以及以绘画行动可以生发出对现象学意义上作出的回应，来将此关注延续了下去。韦默尔在其作品中专注于处理这两个截然不同的议题——把通过观察产生的表现来对物理世界作出回应，以及相反地，为了得到一种仅仅向自我指涉的绘画艺术而将刻画对象彻底移除——仔细推敲这两个对立的端点之间可以发生些什么。
Martin Wehmer Bridges the apparently opposing interests in the history of modern painting. Acore motivation of early modernist painting in its development from the middleto the end of the 19th century was to respond in a more direct way to theimmediate surroundings and depict the current social reality. Then, in the early 20th century, when abstraction began to emerge and what was represented gradually disappeared, the flatness of the two-dimensional canvas wasrecognized as a self-referential problem. Abstract expressionism, as well asrelated Op Art and Colour Field Painting, continued this concern by arousingthe sensibility between the audience and the immediate materiality of the workson the spot, and by responding to the phenomenological sense through the actionof Painting. Martin Wehmer in its work focused on the two very different issues- the generation by observing the performance of the to respond to the physical world, and on the contrary, in order to get a kind of just to theself-reference painting art to depict objects thoroughly remove - close scrutinyof these two opposing what can happen between the endpoints.
1996 获得德国Volks& Raiffeisen银行艺术奖
2003 完成英国爱丁堡巴赛尔国际交流和工作室计划主办的艺术驻场
2008 完成中国北京巴赛尔国际交流和工作室计划主办的艺术驻场
2009 成为798北京双年展策划人，同时任中国北京中央美术学院讲师
2010/11任中德美术学院(CDK)讲师
2012 任中国天津艺术学院讲座
展览
2018 马丁.韦默尔—星空的背后李安姿当代空间，香港
2018 马丁.韦默尔---“Qi”艺门画廊，北京
2016 马丁.韦默尔个展—画=盒狮语画廊，上海
2016 这些年，我们做过的展览余山当代艺术方中心，上海
2015 马丁.韦默尔个展狮语画廊，上海
2015 盒子里有只吃彩色裤子的羊—马丁.韦默尔李安姿当代空间，香港
2012
Idols，天津艺术学院博物馆，天津
Idols，EGG画廊，北京
Idols，德国科隆克努特
2010
孙悟空，迈克尔?舒尔茨画廊，韩国首尔
孙悟空，KnutOsper画廊，德国科隆
2008 海滩归来，Daeppen美术馆，瑞士巴塞尔
主要联展
2014
新年联展，EGG画廊，北京
密码，中国上海
2012 北京双年展，中国美术馆，北京
2011 白色的眼，北京
2010 国际艺术家联展，北京
2009
Monumental in Time，北京
ANNEXE/INFIX| 798北京双年展，北京
SaxoniaFoxtrott, 德国德累斯顿博物馆，德国德累斯顿
2008
International Inkism, 上上国际美术馆，北京
ArtShape, 桥艺术博物馆，北京
CriticalMass, 北京
1966 bornin Hattingen, Germany
1996 Deutscher Kunstpreis der Volks- und Raiffeisenbanken
2003 Stipendiumiaab, International Exchange Basel in Edinburgh
2008 Stipendiumiaab, International Exchange Basel in Beijing, China
2009 Curator Biennale 798 Beijing, China
Lectureship at the Central Academy of Fine ArtsBeijing, China
2010 /11Lectureship,UdK Berlin , at the CDK Hangzhou, China
2012 Lecture Art Academy Tianjin, China
Exhibition
2018 THE BACK OF STARRY SKY,CONTEMPORARY BY ANGELA LI,HONG KONG,China
2018 “ Qi”Pekin finearts,Beijing,China
2016 Martin Wehmer solo exhibition-- PAINTING = BOX, Leo Gallery,Shanghai , China
2015 Martin Wehmer soloexhibition, Leo Gallery, Shanghai , China
2014
“Martin Wehmer“,Contemporary by Angela Li Contemporary, Hong Kong, China women| being 3art Gallery, Beijing,China
2012
Idols | Museum art academy,Tianjin, China
Idols | EGG art Gallery,Beijing, China
Idols | Projektraum KnutOsper, K?ln
2010
Sun wu kong | MichaelSchultz Gallery, Seoul, Korea
Sun wu kong |ProjektraumKnut Osper, K?ln
2008
Back from BEACH |Gallery Daeppen, Basel 0figur | Morat-Institutfür Kunst und Kunstwissenschaft,Freiburg
Selected Group Exhibitions
2014
New Year, Beijing, China
Code,Shanghai, China
2012
Beijing International Art Biennale, National Art museum of China, Beijing, China
2011 The White of the Eye, Beijing, China
2010 BLACK BRIDGE OFF SPACE, Beijing,China
2009
Monumentalin Time, Beijing, China ANNEXE/INFIX,Biennale 798 Beijing, Beijing,China
Saxonia Foxtrott, Kunsthalle Dresden,Germany
2008
International Inkism, Sunshine International Museum,Beijing,China
Art Shape, Bridge Art Museum,Beijing,China
Critical Mass, Beijing,China
马丁.韦默尔将现代绘画历史上明显对立的趣味相互桥接，早期现代主义绘画在19世纪中期至末期发展过程中的一个核心动机是以更加直接的方式回应即时的周遭环境和刻画当下的社会现实。此后，在20世纪初期，当抽象主义开始出现，被表现之物逐渐消失，二维画布的平面感自我指涉地得到公认，并被看待为一个首要的问题。抽象表现主义以及相关的奥普艺术(Op Art)和色场绘画运动(Colour Field Painting), 则以在場作品直接的物质性激起与观者之间的感受性，以及以绘画行动可以生发出对现象学意义上作出的回应，来将此关注延续了下去。韦默尔在其作品中专注于处理这两个截然不同的议题——把通过观察产生的表现来对物理世界作出回应，以及相反地，为了得到一种仅仅向自我指涉的绘画艺术而将刻画对象彻底移除——仔细推敲这两个对立的端点之间可以发生些什么。
Martin Wehmer Bridges the apparently opposing interests in the history of modern painting. Acore motivation of early modernist painting in its development from the middleto the end of the 19th century was to respond in a more direct way to theimmediate surroundings and depict the current social reality. Then, in the early 20th century, when abstraction began to emerge and what was represented gradually disappeared, the flatness of the two-dimensional canvas wasrecognized as a self-referential problem. Abstract expressionism, as well asrelated Op Art and Colour Field Painting, continued this concern by arousingthe sensibility between the audience and the immediate materiality of the workson the spot, and by responding to the phenomenological sense through the actionof Painting. Martin Wehmer in its work focused on the two very different issues- the generation by observing the performance of the to respond to the physical world, and on the contrary, in order to get a kind of just to theself-reference painting art to depict objects thoroughly remove - close scrutinyof these two opposing what can happen between the endpoints.