袁可如
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基本信息
- 擅长
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艺术家,收藏家
- 性别
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女
- 出生年月
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1990年月
- 毕业院校
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中国美术学院
个人简历
袁可如，1990年出生于杭州，2016年毕业于中国美术学院跨媒体艺术系，获艺术硕士学位，现生活和工作于上海。她的艺术创作聚焦于探索影像的绘画感、空间韵律和叙事性，把现实中当下所经历的事件、情感与历史、神话、梦境等结合到一起，用叙述性的影像方式来呈现不同历史切片中的个体困境。
Born in 1990 in Hangzhou, Yuan Keru graduated from School of Inter Media Art, China Academy of Art with an MFA in 2016, and currently lives and works in Shanghai. Yuan’s practice focuses on exploring the painterly quality, spatial rhythm and narratives of video, combining the on-going events, emotions with history, mythology, dreams and so on. She uses narrative films to present the plight of individuals in different sections in the history.
她的艺术创作聚焦于探索影像的绘画感、空间韵律和叙事性，把现实当下所经历的事件、情感与历史、神话、梦境等结合到一起，通过杜撰编写小说、再打破文本结构、搭建服装场景和半即兴的表演和对话，赋予影像电影感和戏剧色彩。
袁可如曾获2018年AAC艺术中国年度青年艺术家提名；入围2017年洛杉矶华语电影节；入围2014届华宇青年艺术奖；参与“钻石一代”2013年香港艺术巴塞尔沙龙及多届香港巴塞尔“光映现场”单元；作品曾刊登《天南》文学杂志第 16 期封面。
近期个人项目／个展包括：“后像之痕“，SPURS Gallery，北京（2021）；“CEF专题放映：袁可如|成瘾，幽灵以及宿命三部曲”，CEF实验影像中心数字档案馆（2020）；“NEBULA 5 SPACE”，四方美术馆，南京（2018）；“池化>孚梦”表演项目，油罐艺术中心，上海（2018）；“月亮便士”，西岸艺术博览会ArtReview Asia Xiàn Chǎng单元表演项目，上海（2017）；“旦夕异客”，狮语画廊，上海（2017）；《会饮俱乐部》长篇电影首映，UCCA尤伦斯当代艺术中心，北京（2016）。
参加群展项目包括：“Hasty Falling Time”，日内瓦当代艺术中心，日内瓦（2020）；“恶是”，蜂巢当代艺术中心，北京（2020）；“咄咄逼人的美人儿”，墨方，北京（2020）；“艺述：85后的八五”，北京当代·艺术博览会策展单元，北京（2019）；“Fabric of Art”国际艺术家邀请展，乌帕塔尔，德国（2019）；“Move on Asia”，Alt Space LOOP，首尔（2018）；“Asia Now Paris”，巴黎（2018）；“为什么表演”，明当代美术馆，上海（2016）；“非形象——叙事的运动”，上海二十一世纪民生美术馆，上海（2015）；“亦近亦远”中国女性艺术家联展，赫尔辛基艺术节，赫尔辛基（2015）；“I SEE国际影像艺术节2015”，MOMENTUM画廊，柏林（2015）；“集美X阿尔勒：东西方对话国际摄影季”，三影堂摄影艺术中心，厦门，上海（2015）。
About the Artist
Born in 1990 in Hangzhou, Yuan Keru graduated from School of Inter Media Art, China Academy of Art with an MFA in 2016, and currently lives and works in Shanghai.
Yuan’s practice focuses on exploring the painterly quality, spatial rhythm and narratives of video, combining the on-going events, emotions with history, mythology, dreams and so on. By drafting novels, breaking up the text structure, setting costume scenes and preparing semi-improvised performances and conversations, she endows video with senses of cinema and glamour of drama.
She was nominated for the AAC Award of Art China (2018); nominated for the Los Angeles Chinese Film Festival, Los Angeles (2017); nominated for the Huayu Youth Award of Art Sanya (2014); invited to speak in the panel “The Diamond Generation” moderated by Hans Ulrich Obrist at Art Basel Hong Kong 2013; participated in the Film sector at Art Basel Hong Kong 2018/2016, and her work was featured on the cover of the literary magazine Chutzpah!, of the 16th issue.
Her recent solo exhibitions and projects includes: “Traces of Afterimage” , SPURS Gallery, Beijing (2021); “CEF Digital Archive vol. 12: Yuan Keru, Addiction, Ghost and Destiny”, Centre for Experimental Film (2020); “NEBULA 5 SPACE”, Sifang Art Museum, Nanjing (2018); “Pooling > Pixelated Dream”, TANK Shanghai, Shanghai (2018); “Moon and Sixpence”, ArtReview Asia Xiàn Chǎng, West Bund Art & Design, Shanghai (2017); “Fleeting Strangers”, Leo Gallery, Shanghai (2017); “The Symposium”, screening at UCCA Center for Contemporary Art, Beijing (2016).
Her recent group exhibitions includes: “Hasty Falling Time”, Centre d’Art Contemporain Genève, Genève (2020); “Being of Evils”, Hive Center for Contemporary Art, Beijing (2020); “La Belle Noiseuse”, Mocube, Beijing (2020); “Story: Born After The 85’ New Wave”, Beijing Contemporary Art Expo, Beijing (2019); “Fabric of Art”, International artists in the Fabric Factory, Wuppertal, Germany (2019); “Move on Asia”, Alt Space LOOP, Seoul (2018); Asia Now Paris, Paris (2018); “Why the Performance?”, Ming Contemporary Art Museum, Shanghai (2016); “Nonfigurative”, M21, Shanghai (2015); “Here Out There”, Helsinki Festival, Helsinki (2015); “I SEE”, International Video Art Festival 2015, MOMENTUM, Berlin (2015); Jimei X Arles International Photo Festival, Three Shadows Art Center, Xiamen & Shanghai (2015).
Born in 1990 in Hangzhou, Yuan Keru graduated from School of Inter Media Art, China Academy of Art with an MFA in 2016, and currently lives and works in Shanghai. Yuan’s practice focuses on exploring the painterly quality, spatial rhythm and narratives of video, combining the on-going events, emotions with history, mythology, dreams and so on. She uses narrative films to present the plight of individuals in different sections in the history.
她的艺术创作聚焦于探索影像的绘画感、空间韵律和叙事性，把现实当下所经历的事件、情感与历史、神话、梦境等结合到一起，通过杜撰编写小说、再打破文本结构、搭建服装场景和半即兴的表演和对话，赋予影像电影感和戏剧色彩。
袁可如曾获2018年AAC艺术中国年度青年艺术家提名；入围2017年洛杉矶华语电影节；入围2014届华宇青年艺术奖；参与“钻石一代”2013年香港艺术巴塞尔沙龙及多届香港巴塞尔“光映现场”单元；作品曾刊登《天南》文学杂志第 16 期封面。
近期个人项目／个展包括：“后像之痕“，SPURS Gallery，北京（2021）；“CEF专题放映：袁可如|成瘾，幽灵以及宿命三部曲”，CEF实验影像中心数字档案馆（2020）；“NEBULA 5 SPACE”，四方美术馆，南京（2018）；“池化>孚梦”表演项目，油罐艺术中心，上海（2018）；“月亮便士”，西岸艺术博览会ArtReview Asia Xiàn Chǎng单元表演项目，上海（2017）；“旦夕异客”，狮语画廊，上海（2017）；《会饮俱乐部》长篇电影首映，UCCA尤伦斯当代艺术中心，北京（2016）。
参加群展项目包括：“Hasty Falling Time”，日内瓦当代艺术中心，日内瓦（2020）；“恶是”，蜂巢当代艺术中心，北京（2020）；“咄咄逼人的美人儿”，墨方，北京（2020）；“艺述：85后的八五”，北京当代·艺术博览会策展单元，北京（2019）；“Fabric of Art”国际艺术家邀请展，乌帕塔尔，德国（2019）；“Move on Asia”，Alt Space LOOP，首尔（2018）；“Asia Now Paris”，巴黎（2018）；“为什么表演”，明当代美术馆，上海（2016）；“非形象——叙事的运动”，上海二十一世纪民生美术馆，上海（2015）；“亦近亦远”中国女性艺术家联展，赫尔辛基艺术节，赫尔辛基（2015）；“I SEE国际影像艺术节2015”，MOMENTUM画廊，柏林（2015）；“集美X阿尔勒：东西方对话国际摄影季”，三影堂摄影艺术中心，厦门，上海（2015）。
About the Artist
Born in 1990 in Hangzhou, Yuan Keru graduated from School of Inter Media Art, China Academy of Art with an MFA in 2016, and currently lives and works in Shanghai.
Yuan’s practice focuses on exploring the painterly quality, spatial rhythm and narratives of video, combining the on-going events, emotions with history, mythology, dreams and so on. By drafting novels, breaking up the text structure, setting costume scenes and preparing semi-improvised performances and conversations, she endows video with senses of cinema and glamour of drama.
She was nominated for the AAC Award of Art China (2018); nominated for the Los Angeles Chinese Film Festival, Los Angeles (2017); nominated for the Huayu Youth Award of Art Sanya (2014); invited to speak in the panel “The Diamond Generation” moderated by Hans Ulrich Obrist at Art Basel Hong Kong 2013; participated in the Film sector at Art Basel Hong Kong 2018/2016, and her work was featured on the cover of the literary magazine Chutzpah!, of the 16th issue.
Her recent solo exhibitions and projects includes: “Traces of Afterimage” , SPURS Gallery, Beijing (2021); “CEF Digital Archive vol. 12: Yuan Keru, Addiction, Ghost and Destiny”, Centre for Experimental Film (2020); “NEBULA 5 SPACE”, Sifang Art Museum, Nanjing (2018); “Pooling > Pixelated Dream”, TANK Shanghai, Shanghai (2018); “Moon and Sixpence”, ArtReview Asia Xiàn Chǎng, West Bund Art & Design, Shanghai (2017); “Fleeting Strangers”, Leo Gallery, Shanghai (2017); “The Symposium”, screening at UCCA Center for Contemporary Art, Beijing (2016).
Her recent group exhibitions includes: “Hasty Falling Time”, Centre d’Art Contemporain Genève, Genève (2020); “Being of Evils”, Hive Center for Contemporary Art, Beijing (2020); “La Belle Noiseuse”, Mocube, Beijing (2020); “Story: Born After The 85’ New Wave”, Beijing Contemporary Art Expo, Beijing (2019); “Fabric of Art”, International artists in the Fabric Factory, Wuppertal, Germany (2019); “Move on Asia”, Alt Space LOOP, Seoul (2018); Asia Now Paris, Paris (2018); “Why the Performance?”, Ming Contemporary Art Museum, Shanghai (2016); “Nonfigurative”, M21, Shanghai (2015); “Here Out There”, Helsinki Festival, Helsinki (2015); “I SEE”, International Video Art Festival 2015, MOMENTUM, Berlin (2015); Jimei X Arles International Photo Festival, Three Shadows Art Center, Xiamen & Shanghai (2015).