阎洲
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基本信息
- 擅长
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艺术家,摄影家
- 性别
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男
- 出生年月
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1986年月
- 毕业院校
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西安美术学院
个人简历
阎洲，1986年生于西安, 目前工作生活于北京。
他通过摄影、录像、写作等创作语言与今日文化生态及实践者处境展开观察和对话。他面向当下社会环境的创作更深一层的源自其对历史场所、文物、人物所构成的文化驱动方式、情境的察访与想象。
他曾在OCAT西安馆举办个人项目“阎洲：从何开始？”，西安，2017。个展包括：“阎洲：刀子的最后一扭”，拾萬当代艺术中心，石家庄，2022；“阎洲：连夜，打制一些箭镞出来”，墨方，北京，2019；近期的群展包括：“安全的边缘”，BRC，北京，2022；“想象·主流价值”，中间美术馆，北京，2018；“城市地理：一场关于西安历史的想象”OCAT西安馆，西安，2018；“中国新影像：2010年以来的新态度”安仁华侨城创意园，安仁，2018；“首届北京国际摄影双年展: 灵光与后灵光” ，中华世纪坛，北京，2013;
Yan Zhou，born in 1986 in Xi'an, currently works and lives in Beijing.
Through the language of photography, video and writing, he observes and dialogues with today's cultural ecology and the situation of practitioners. His works for the current social environment are deeply rooted in his visits to and imagination of the cultural drive and situations constituted by historical places, cultural relics and people.
His solo project includes: Where to Begin, OCAT Xi’an, 2017. Solo exhibitions include: Yan Zhou: The Last Twist of the Knife, Hunsand Center for Contemporary Art, Shijiazhuang, 2022；Yan Zhou: We need to make some arrows overnight，Mocube，Beijing, 2019; Recent exhibitions include: Frontiers of Safety, BRC, Beijing, 2022; The Lonely Spirit, Beijing Inside-Out Art Museum, Beijing, 2018; Mapping the City: A Vision of History and Xi’an, OCAT Xi’an, Xi’an, 2018; New Video in China: New Attitude Since 2010, OCAT Anren, Anren, 2018. 1st Beijing Photo Biennial : Aura and Post Aura, The China Millennium Monument, Beijing, 2013.
他通过摄影、录像、写作等创作语言与今日文化生态及实践者处境展开观察和对话。他面向当下社会环境的创作更深一层的源自其对历史场所、文物、人物所构成的文化驱动方式、情境的察访与想象。
他曾在OCAT西安馆举办个人项目“阎洲：从何开始？”，西安，2017。个展包括：“阎洲：刀子的最后一扭”，拾萬当代艺术中心，石家庄，2022；“阎洲：连夜，打制一些箭镞出来”，墨方，北京，2019；近期的群展包括：“安全的边缘”，BRC，北京，2022；“想象·主流价值”，中间美术馆，北京，2018；“城市地理：一场关于西安历史的想象”OCAT西安馆，西安，2018；“中国新影像：2010年以来的新态度”安仁华侨城创意园，安仁，2018；“首届北京国际摄影双年展: 灵光与后灵光” ，中华世纪坛，北京，2013;
Yan Zhou，born in 1986 in Xi'an, currently works and lives in Beijing.
Through the language of photography, video and writing, he observes and dialogues with today's cultural ecology and the situation of practitioners. His works for the current social environment are deeply rooted in his visits to and imagination of the cultural drive and situations constituted by historical places, cultural relics and people.
His solo project includes: Where to Begin, OCAT Xi’an, 2017. Solo exhibitions include: Yan Zhou: The Last Twist of the Knife, Hunsand Center for Contemporary Art, Shijiazhuang, 2022；Yan Zhou: We need to make some arrows overnight，Mocube，Beijing, 2019; Recent exhibitions include: Frontiers of Safety, BRC, Beijing, 2022; The Lonely Spirit, Beijing Inside-Out Art Museum, Beijing, 2018; Mapping the City: A Vision of History and Xi’an, OCAT Xi’an, Xi’an, 2018; New Video in China: New Attitude Since 2010, OCAT Anren, Anren, 2018. 1st Beijing Photo Biennial : Aura and Post Aura, The China Millennium Monument, Beijing, 2013.