策展人：郭赟 展览时间：2021年3月20日-2021年4月26日 开幕时间：2021年3月20日 下午4:00 学术主持：高岭 主办：祥山艺术馆 协办：中国收藏家协会当代艺术收藏委员会   深圳市壹零零壹画廊   成都市·平静生活 CALM LIFE   成都素色堂文化传播有限公司 "Under the Bubble" Zeng Hao Solo Exhibition Curator: Guo Yun Duration: March 20 - April 26, 2021 Opening: 4 PM, March 20, 2020 Academic Host: Gao Ling Host: Xiangshan Art Museum Co-host: China Association of Collectors-Contemporary Art Committee, Shenzhen 1001 Gallery, CALM LIFE, SuSeTang Chengdu   幻像之相——曾浩作品解析 文 / 郭赟 曾浩生于上世纪六十年代中后期，动荡十年起始的年头。这个年代的人成长环境中充满了不可预知的危机与既魔幻又现实的荒诞，因此他们对大时代历史有着深刻的印记。随着改革开放及新思潮的涌入，“伤痕”渐次成为记忆。八十年代对于知识分子而言，是无比复杂的年代，理想主义的式微混杂着新时代的巨大变迁，多数人对存在与未来怀有巨大的疑问，从曾浩的作品中能清晰地看到这种疑问。总体而言，曾浩的作品基于对当代社会的戏谑性反诘，如策展人黄笃所言，“糅合着现实暗喻与形而上批判”，在泡影幻像之下，是艺术家对于新现实的观察与思考。 《幻像之相/Under the Bubble No.30》 110x110cm 布面油画/Oil on Canvas 2020 时代历史环境与艺术家的个人史决定了观念的表达。大学毕业后，曾浩在广东省肇庆学院美术学院从事了长达十五年的美术教学工作，在年近四十岁的时候方始决定以职业艺术家的身份专心从事绘画艺术创作。这意味着艺术家对艺术的巨大热情以及艺术对于艺术家的感召。事实上，在工作的过程中曾浩从未放弃过艺术创作，也一直在积极地关注中国当代艺术的发展，并时常参加当代艺术展览。曾浩敏感于时代，关注时事，因此作品从表象而言往往表现为社会学叙事，比如其泡泡系列作品就与2008年殃及全球的金融危机有直接关系，是对全球经济繁荣幻象背后泡沫化事实的隐喻。曾浩先后师从于艺术家张晓刚及尚扬，张晓刚的作品带有厚重的历史观，是对特定时代群体中的个体样本的关照，也是对个体存在的价值意义的反思。考量张晓刚及其支系，历史观、时代观及个体价值的反思一直贯穿其中，其深层隐藏着中国当代社群的精神变迁史。 《幻像·置入/Illusion·Imbedding No.！》 60x80cm 布面油画/Oil on Canvas 2018 曾浩的作品有历史叙事的痕迹，但更倾向于现实批判，所以往往以都市人文及社会景观为载体关照现代史中的“后殖民”、“全球化”以及“消费潮流”等现象，作品中的泡影及模糊甚至难以辨认的景观正是对这种华美的、膨胀的、易碎的、不确定的现代史疑虑。从艺术语言上而言，曾浩以一种超现实手法描绘了一个幻像中的真实世界，充满了欲望的幻像，而这些幻像恰如其分地表现了现代人易碎且不安的内心心相与现实生存状态。其装置作品则更直观地表达了艺术家的观念。 "Floating No.5"  79x91cm  Oil on Canvas, Plank  2018 在格林伯格看来，新的社会批判和历史批判的出现，使得超越成为可能。曾浩的作品既是对现实的反思，亦是对希望的寻找，而这也正是当代艺术所试图去建构的文化图景，也是艺术家的文化宿命。 《幻像之相/Under the Bubble No.12》 110x110cm 布面油画/Oil on Canvas 2021 Under the Bubble - Analysis of Zeng Hao's Works Guo Yun Zeng Hao was born in the mid to late 1960s, the beginning of the turbulent decade. The growing environment of people in this era is full of unpredictable crises and absurdities that are both magical and realistic. Therefore, they are deeply imprinted by the history of the great era. With the reform and opening up and the influx of new thoughts, "scars" have gradually become memories. The 1980s was an extremely complicated age for intellectuals, where the decline of idealism is mixed with the great changes of the new era. Most people have deep doubts about existence and the future. This kind of doubt can be clearly seen in Zeng Hao's works. Generally speaking, his works are based on Banter against contemporary society. As the curator Huang Du put it, “a combination of metaphors of reality and metaphysical criticism”, Under the bubble illusion, it is the artist's observation and thinking of the new reality. 《幻像之相/Under the Bubble No.31》 110x110cm 布面油画/Oil on Canvas 2020 The historical environment of the time and the artist's personal history determine the expression of concepts. After graduating from university, Zeng Hao engaged in fine arts teaching for 15 years at the Academy of Fine Arts, Zhaoqing University in Guangdong Province. When he was nearly forty years old, he decided to concentrate on painting and art creation as a professional artist. This indicates that artists have great enthusiasm for art and the appeal of art to artists. In fact, Zeng Hao has never given up on artistic creation during work, and has been actively paying attention to the development of contemporary Chinese art, and often participates in contemporary art exhibitions. Zeng Hao is sensitive to the times and concerns about current affairs. Therefore, his works often appear as sociological narratives. For example, his bubble series works are directly related to the global financial crisis in 2008, and are metaphors for the bubble fact behind the illusion of global economic prosperity.  《作品/Work No.1》 直径/Diameter 30cm  琉璃（变换灯光）/Glaze 2020 In addition, Zeng Hao successively studied from the artists Zhang Xiaogang and Shang Yang. Zhang Xiaogang's works have a heavy historical outlook, which is a caring for individual samples in a specific era and a reflection on the value and significance of individual existence. In terms of Zhang Xiaogang and his branches, the historical view, the view of the times, and the reflection of individual values have been running through, which deeply hides the history of spiritual changes in contemporary Chinese communities. In contrast, although Zeng Hao’s works have traces of historical narrative, they are more inclined to criticize reality. Therefore, urban humanities and social landscapes are often used as carriers to care for phenomena such as "post-colonial", "globalization" and "consumption trend" in modern history. The bubbles and the vague and even illegible landscapes in the works are precisely the doubts about this gorgeous, expansive, fragile, and uncertain modern history. In terms of artistic language, Zeng Hao uses a surreal approach to depict the real world in an illusion, which is full of desire. These illusions appropriately represent the fragile and uneasy inner state of mind and reality of modern people. Furthermore, his installation works express the artist's concept in a more intuitive manner. 《蛙/Frog》 98x108cm  布面油画/Oil on Canvas 2020 In the view of Greenberg, the emergence of new social and historical criticism makes transcendence possible. Zeng Hao’s works are both a reflection on reality and a search for hope. And this is exactly the cultural landscape that contemporary art is trying to construct, and is also the cultural fate of artists. 曾   浩 / Zeng Hao 生于四川泸州 1985  毕业于四川宜宾师范艺体校美术专业 1992  毕业于四川美术学院 美术教育系  学士学位 1996  进修于广州美术学院油画系 2000  毕业于首都师范大学美术学院   硕士学位 现居北京            主要个展：  2021  幻像之相   祥山艺术馆，深圳，中国 2017  烟波微茫呈幻象   雅博艺廊，纽约，美国 2015  “静月所指”曾浩作品2008-2013   喜玛拉雅美术馆、证大当代艺术空间，上海，中国 2015  持续幻想   今日美术馆，北京，中国 2015  泡影   元典美术馆，北京，中国 2008  守护神   阿姆斯特丹，荷兰   主要联展:  2021   接力   元典美术馆，北京，中国 2020  未来历史学   南京师范大学美术馆，南京，中国 时间重启·第3回   Art雲·躲山居艺术中心，成都，中国 2019 首届秦皇岛当代国际艺术单年展   松美术馆，中国 贵州礼物当代艺术展   贵阳天海美术馆，中国 2018 “同砚别章”六人当代艺术展   厦门张雄美术馆，中国 独角兽当代艺术博览会   阿那亚，秦皇岛，中国 2017  中国当代艺术群展   马伦戈画廊，洛杉矶，美国 开放的偶遇－当代艺术展   悦美术馆，北京，中国 2016   21世纪海上丝绸之路艺术周   厦门，中国 爱情是什么   798劳特斯辰艺术空间，北京，中国 2015   观看与言说   香港当代美术馆，广州，中国 惊奇的房间   北京黑桥，中国 2014   三界外   5 艺术中心，北京，中国 2013   第一届中国—东盟艺术双年展   南宁，广西，中国 亚洲青年艺术家提名展   今日美术馆，北京，中国 #夜走黑桥#展览项目   北京，中国 27界亚洲国际艺术展   曼谷，泰国 2012   艺术的鄂尔多斯·国际当代艺术联展   内蒙古，中国 贝纳通“中国制造”   米兰，意大利 2011     马来西亚艺术博览会·中国馆特展   吉隆坡，马来西亚 2010    东方／西方   圣地亚哥，美国 草场地双年展   草场地美术馆，北京，中国 2009    回到北京   阿姆斯特丹，荷兰 艺术阿姆斯特丹2009博览会   阿姆斯特丹，荷兰 2008    巴塞尔艺术博览会   迈阿密，美国 金色目光艺术博览会   斧山，韩国 2007    藏不住的魅力   新加坡，新加坡   主要作品发表： 《中国油画》、《美术观察》、《艺术界》、《画廊》、《当代美术家》、《当代艺术》、《江苏画刊》、《艺术家》、《世界艺术》、《今日中国美术》、《库艺术》、《当代艺术》、《中国当代艺术文献》、《当代油画作品集》、《当代素描艺术》、《艺术虫》   Zeng Hao was born in Sichuan in 1967; In 1985, he studied fine arts and graduated from Sichuan Yibin Normal Art School; In 1992, he graduated from Art Education Department of Sichuan Fine Art Institute with a bachelor's degree; In 1996, he studied in Oil Painting Department of Guangzhou Academy of Fine Arts; In 2000, he graduated from Academy of Fine Arts, Capital Normal University with a master's degree; He now lives in Beijing.   Solo Exhibitions: 2021 “Under the Bubble”, Xiangshan Art Museum, Shenzhen, China  2017 Fantasy, Artosino Gallery, New York, USA 2015 "Quiet Moon" Zeng Hao's works 2008-2013, Shanghai Himalayas Museum & Zendai Contemporary Art Space, Shanghai, China 2015 Continuous Illusion, Today Art Museum, Beijing, China 2015 Bubble, YuanDian Art Museum, Beijing, China 2008 Guardian, Amsterdam, Holland   Joint Exhibitions: 2021 Carry-on, Yuan Art Museum, Beijing, China 2020  Future History, Nanjing Normal University Art Museum, Nanjing, China Restart·Round 3, Art Clounds·Hidden Airbnb Art Center, Chengdu, China 2019  First Qinhuangdao Contemporary International Art Single Year Exhibition, Qinhuandao, China  Guizhou Gift Contemporary Art Exhibition, Guiyang, China Bamboo Forest Collection, Beijing 798 Zero Art Space, China 2018  "Schoolmate Chapter" Six Persons Contemporary Art Exhibition, Xiamen, China Unicorn Contemporary Art Fair, Anaya, Qinhuangdao, China 2017  China Contemporary Art Group Exhibition, Marengo Gallery, Los Angeles, USA Opening Occasional Encounter - Contemporary Art Exhibition, Enjoy Museum of Art, Beijing, China 2016  What is Love, 798 Lauterstein Art Space, Beijing, China 2015  View and Speech, Hong Kong Museum of Contemporary Art, Guangzhou, China Amazing Room, Beijing Black Bridge, China 2014  Out of Three Divisions of the Universe, 5 Art Center, Beijing, China 2013  The First China-ASEAN Art Biennale, Nanning, Guangxi, China Asian Young Artists Nomination Exhibition, Today Art Museum, Beijing, China # Night Walk in Black Bridge # Exhibition Project, Black Bridge, Beijing, China 27th Session Asian International Art Exhibition, Bangkok, Thailand 2012  Artistic Ordos·International Contemporary Art Exhibition, Inner Mongolia, China Benetton "Made in China", Milan, Italy 2011  Malaysia Art Expo·China Pavilion Special Exhibition, Kuala Lumpur, Malaysia China Youth Artists Nomination Exhibition, Chengdu, China 2010  East/West, San Diego, USA Grassland Biennale, Grassland Art Museum, Beijing, China 2009  Return to Beijing, Amsterdam, Netherlands Art Amsterdam, Amsterdam, Netherlands 2008  Basel Art Expo, Miami, USA Golden Eye Art Expo, Pusan, South Korea 2007  Unhidable Charm, Singapore, Singapore   Publication: Chinese Oil Painting, Art Observation, Art Circle, Gallery, Contemporary Artists, Jiangsu Painting Magazine, Artist, World Art, Today's Chinese Art, Ku Art, Contemporary Art, Contemporary Art Documents, Contemporary Oil Painting Works Collection, Contemporary Sketch Art, Collection of Teachers' Art Works in National Normal Universities, etc   祥山艺术馆 祥山艺术馆由深圳市美丽集团有限公司投资兴建，座落于深圳市文博宫，外观为宫廷式古建筑风格，上下六层气势恢宏，拥有综合类博物馆展厅和专业美术馆展厅，是深圳地区重要的现代型民营美术馆之一。自2011年开馆以来，祥山艺术馆举办过“楚材晋用-湖北当代艺术展”、“时间的边缘—2019湾区当代艺术联展”、“素问·之后—中国当代素描作品展”等重要展览，在艺术界具有广泛的影响力。祥山艺术馆立足当代，兼顾传统，积极探索现代民营美术馆发展的新模式，致力于打造大湾区核心文化艺术机构，并推动中国当代艺术的发展。   联系我们 开馆时间：周二-周日 10:00-18:00，逢周一闭馆 地      址：深圳市龙岗区布吉西环路88号 官方网站：www.artxiangshan.com 电      话：0755-8967 5139 电子邮件：xsh_art@163.com